Watching The L Word makes me think of Gore Vidal’s observation about
silent film stars—the most successful ones had heads that were way too
big for their bodies. Topped with high-priced haircuts, the L-girls look
like golden delicious apples affixed to Popsicle sticks. The Italian in me
wants to scream, "Eat something!"
It’s not that the bobble-heads haven’t struck a blow for lesbian
equality on TV. This show is groundbreaking and it’s going to be a
first-class hit. The show’s got enough drama to keep gay people
connected and enough soft porn to attract a whole new audience of
salivating straight men (the very ones who abandoned their sets when their
girlfriends tuned in to Queer Eye). But in a world where image is
everything, I’m just troubled by how they look.
It used to be only gay men and teenaged girls fretted and fussed about
how pretty they were. But the women from The L Word have set a new
standard on television—and it just ratchets up the pressure to conform
to the Barbie ideal that is so unhealthily embedded in gay culture. We’ve
one-upped Truman Capote by claiming, "You can never be too
middle-class or too thin."
Eric McCormack has talked about how he had to be "retooled"
after the first season of Will & Grace—cutting his hair and losing
weight and working out with a trainer. For the past five seasons, Will
could pass for a social X-ray, but Jack tells him he has a double chin
every other week.
Granted, a fixation on fat is not an inherently gay trait. A friend of
mine was on TV recently doing an interview. His dad called and said,
"You looked fat!" When Joe told him the camera adds ten pounds,
his dad shot back, "How many cameras were there?"
Maybe we just reflect the standards set by mainstream culture. But I
can’t help but wonder if there’s more to it than that. Nearly every
morning for the past 20 years, I’ve hit the gym before sunrise to join
hundreds of other gay men, all straining to pump their muscles to
perfection. I tell myself staying fit is the key to a long life—but when
I am really honest with myself, I know there’s more to it. My dad was a
high school jock, and my three brothers followed in his footsteps. I was
the bookish one, the big sissy who couldn’t throw a baseball to save his
life. I knew I was a disappointment to my father until I went to college
and discovered running and weightlifting. We ran together when I was home
for the summer, and even went to the gym. It was the first time in my life
where conversation between us came easy.
Those times together forged a lifetime habit. But I’d be lying if I
didn’t admit there’s a little voice in the back of my head that
sometimes whispers, "You’re still a big sissy." It fuels my
body as I crawl out of bed at an ungodly hour to start working out—that
self-imposed pressure to prove myself in a straight world that still tells
me I am not enough.
Looking good is a way for us to subtly thumb our noses at our straight
brethren—and to gain an edge in that unspoken gay/straight competition.
But does that drive for perfection— borne out of a need to stake our
claim—set us up for disappointment and unhappiness?
My friend Richard chortled when he called me between his "Combat
Cardio" class and a major shopping binge at Armani Exchange a couple
of days ago, "I’m so glad I’m not straight." He got some
pictures of a party his old fraternity brothers attended over the
holidays. "I look fifteen years younger than they do! That’s what
married life will do to you-pack on thirty pounds," he said, before
he went on to lament that his latest date stood him up the night before.
That dilemma is played out more dramatically in the first episode of
The L Word. Two of the leading women are trying to have a baby; they’re
happy to accept sperm in a cup and reject any thought of allowing a man to
penetrate to produce. Their efforts come to naught until a hot guy at a
party pays them court. Suddenly, their values shift—why not do a
three-way to get what they want? He’s hot and he’s willing, so what’s
the problem?
They invite the guy home. The would-be stud refuses to perform sans
protection and walks out. It’s a pivotal moment in a relationship that
is already in trouble. The choice to exploit their beauty at the cost of
their values leaves them high and dry.
That’s why I’m not completely comfortable with the L-girls and Will
and Carson and Kyan. Every one of them is beautiful and sleek and has a
wardrobe I’d kill for. It’s just that they embody that relentless and
unforgiving emphasis on appearance that flourishes in our community like
kudzu in the Georgia clay—choking out every living thing in its path.
Of course, appearances are important. But we should give ourselves
permission to want—and expect—more for our lives. As Auntie Mame used
to say, "Life is a banquet—and most poor suckers are starving to
death." It’s time we learn to pick up a fork and dig in.
John Sonego is Director of Programs and Communications for the Gay
& Lesbian Alliance Against Defamation (GLAAD), an organization
dedicated to promoting and ensuring fair, accurate and inclusive
representation of people and events in the media as a means of eliminating
homophobia and discrimination based on gender identity and sexual
orientation.