Who was Christopher Marlowe?
Although extremely popular in his day, Elizabethan poet and playwright
Christopher Marlowe is now much less renowned than William Shakespeare.
But some consider Marlowe to be greater than the bard, and his frequent
queer themes may have reflected his own life.
The son of a shoemaker, Marlowe was born in 1563 in Canterbury,
England. Since little is known about his brief life beyond what is
preserved in school and court records, he remains the subject of
considerable debate. Benefiting from scholarships, Marlowe attended King’s
School in Canterbury and then—at about age 16—Corpus Christi College
in Cambridge. Several literary historians believe he served as a spy
during his time at Cambridge, helping foil Catholic plots against the
Protestant regime of Queen Elizabeth I. He was absent so often that the
college refused to grant his second degree until high-level government and
church officials produced a letter attesting to his good service to Her
Majesty.
In 1587, Kit—as Marlowe was called—went to London, where he
embarked on a career as a poet and playwright (and may have remained in
the secret service). His play, Tamburlaine the Great—the first ever
written in blank verse— was a resounding success, and he soon garnered
acclaim as the city’s leading dramatist. Marlowe followed this initial
success with Doctor Faustus—about a scholar who trades his soul to the
devil for knowledge and power—and The Jew of Malta.
A member of Sir Walter Raleigh’s circle of intellectuals and
freethinkers, Marlowe gained a reputation as an iconoclast and an atheist.
He smoked the new drug tobacco, which he referred too as "buggery of
the lungs." Although he had a history of trouble with the law—from
disturbing the peace to counterfeiting—he managed to avoid serious
punishment.
Marlowe is widely believed to have been a sodomite; the concept of a
distinct "gay" identity was far in the future. Though there is
little remaining evidence of any same-sex relationships he might have had,
there is also no indication that he ever married or had romantic
relationships with women.
A number of Marlowe’s works include homoerotic themes. In his early
play, Dido, Queen of Carthage, the god Jove is depicted "dandling
Ganimed [his young male lover] upon his knee."
The epic poem Hero and Leander (unfinished at the time of his death)
includes lyrical descriptions of Leander’s youthful male beauty, as well
as his attempted seduction by the sea god Neptune: as "[t]he lustie
god imbrast him, cald him love," the clueless Leander protested,
"You are deceav’d, I am no woman I." In Marlowe’s most
famous poem—which begins with the line "Come live with me, and be
my love"—a passionate shepherd addresses a lover of unspecified
gender. And according to literary historian Claude Summers, "It is
difficult to overstate the significance of Edward II in the history of
literary depictions of homosexuality." This play centers on King
Edward’s love for his friend Gaveston and his overthrow by his jealous
queen and her allies; in the end, he is killed with a "red hote"
poker in his anus.
In May 1593, Marlowe was arrested for heresy and inciting civil unrest
after he was blamed for posting an antireligious poem signed "Tamburlaine."
His one-time roommate, Thomas Kyd—who was also arrested and likely
tortured—told authorities that Marlowe had produced heretical writings.
In addition, a Star Chamber informer named Richard Baines reported that
Marlowe had made blasphemous statements, including the assertion that
Jesus and John the Baptist were lovers. Beyond being an atheist himself,
Marlowe was accused of persuading others to reject religion, admonishing
them not to be "affeared of bugbears and hobgoblins." He was
also suspected of moral turpitude; according to Baines, Marlowe averred
that "all they that love not Tobacco and Boies were fooles."
Before he could be tried in court—with the ultimate penalty being
death—Marlowe was killed in an altercation at a lodging house outside
London on May 30. The most widely accepted story holds that Marlowe, in a
dispute over the bill, attacked one of his drinking companions, who in
self-defense turned the knife on Marlowe, fatally stabbing him above the
right eye. Other biographers dispute this account, suggesting that Marlowe
was assassinated by government agents—or perhaps Raleigh’s associates—to
prevent him from revealing secrets under torture. Still others believe he
was rescued from his impending execution by means of a staged death and
cover-up.
Marlowe’s work has often been compared to that of Shakespeare, who
appeared on the literary scene shortly after Marlowe’s supposed death.
But some biographers have suggested that Marlowe himself, after escaping
from England, was the actual author of at least some of the works
attributed to Shakespeare; the sonnets, in particular, it is claimed,
closely match both Marlowe’s writing style and his life story. Four
hundred years later, the mystery remains, as illustrated by a memorial
window dedicated to Marlowe in Poets’ Corner at Westminster Abbey, which
includes a question mark after the year of his death.
Liz Highleyman is a freelance writer and editor who has written widely
on health, sexuality, and politics. She can be reached in care of Letters
from CAMP Rehoboth or at