Stages
I long ago gave up thinking that my art and my life—including CAMP
Rehoboth and Sundance—were separate things. The vision, the creativity,
the energy, the passion, and the heart are all one and the same. Once I
accepted that premise, my life grew simpler and I learned to trust that
the answer I needed in any given moment was already right in front of me
if I but took the time to see it.
On
June 25, my 22nd show, titled Stages, opens at the Blue Moon, and its
subject matter, once again, feels relevant to the workings of CAMP
Rehoboth. Though I’m well aware that "art speak," as I like to
call it, sometimes has the tendency to make a listener’s eyes glaze
over, I will try to keep it simple and direct—for my sake as well as the
readers of this magazine.
First, and on a very basic level, Stages is an exploration of the
progression—the stages—of the human heart in its lifelong quest to
both live in and rise above the complexity and struggle of the human
condition. It is about the transformation of the human spirit and the
steps to a higher consciousness.
Using some of the new techniques I’ve been working on for the last
few years, the images embedded in the paint are simple and symbolic. All
the paintings contain a grid that represents the structure—the society,
the culture, the environment, and the institutions—in which we live. In
some of the paintings the grid controls the work, in others it recedes—but
it is always present in some form.
Also present in every piece is the spiral shape, which for me has long
represented creativity. The
simplistic figures that I use in the paintings only hint at a body shape,
but clearly depict the eyes (vision, reason, and being) and the heart,
which exists at every stage from body to spirit.
All the painting titles in Stages play with stage (as in theatrical)
terms, not to imply that it is not about real life experiences, but in
recognition that only in the conscious re-enactment and examination of
life to we begin to see and understand what life is all about.
I could go on, of course, but that’s the condensed version and
probably more than anyone really wanted to know anyway. In the end, after
all, the art must stand alone, and its life exists only in the eyes and in
the reaction of the viewer.
In the original mission and purpose of CAMP Rehoboth, even in the very
name itself, the organization is charged with "creating a more
positive" environment that promotes cooperation and understanding
among all people. Stripping away all the verbiage, doesn’t that simply
mean that we are trying to "make love," so to speak—to create
a more loving and understanding world?
The problem of trying to change an environment, of course, is that we
come right back to "the grid"—to the structure of our society,
to our ancient and rigid belief systems and deeply ingrained prejudices.
Transformation sounds like a magic word, something that happens in the
blink of an
eye,
but the reality is that true transformation—whether on an individual or
a collective level—takes time. It also, I firmly believe, takes heart—and
reason and courage, as well. I was about to say that that’s a story for
another day, but come to think of it, Dorothy’s beloved journey
"over the rainbow" is exactly the story we should be talking
about. Like all great human tales, it is one about transformation. Dorothy
dreams of a better world; Dorothy’s adventures take her on a journey
where she learns to think, to feel, and to find the courage to face her
fears; Dorothy returns home with the understanding that everything she
needs to make this a better place already exists in her own heart.
The journey that every gay person faces is one of accepting that we are
who we are. Long before we are in a place to be able to change the world,
we have to take that inward journey to learn about ourselves. Long before
we can "come out" into the world we have to travel through the
inward stages that allow us to overcome the rigid constraints of the world
around us. I say gay people, but truly this experience goes far beyond gay
or straight. No matter what issue it is that each person faces in their
lives, it requires going through the stages that make transformation
possible.
The vision statement for the CAMP Rehoboth Community Center is "to
be the heart of the community." As we learn what that really means,
we must, as a community, continue to take both the inward and the outward
journey. As we continue to discover and understand who we are and our
role, both in and out of "the grid," we must pass through the
stages that allow transformation to happen—both within us and in the
world around us.
Murray Archibald is President of the Board of Directors of CAMP
Rehoboth.
The paintings, from top are: Love Scene (in the wings); Scene One
(on stage); In The Wings (study 4).