Two of the most important figures in modern poetry, Paul Verlaine and Arthur
Rimbaud were 19th-century lovers whose lives, fueled by absinthe, have
become icons among queer and heterosexual counterculturalists alike. The
lives of the pair, which included a two-year romance, embodied Rimbaud’s
belief that poets should become visionaries through intense experience and
the "derangement of all the senses."
Paul Verlaine was born in Metz, France, in 1844. The son of an army
captain, he studied law, but gave it up and entered the civil service. In
1870 he married Mathilde Mauté, a beautiful and wealthy young woman he did
not find intellectually compatible. By 1871 Verlaine had become a poet of
some renown within Parisian literary circles.
Arthur Rimbaud, 10 years Verlaine’s junior, was born in Charleville,
France, in 1854. He was raised by his stern mother after his father deserted
the family when he was a boy. Rimbaud excelled in school and was regarded as
a prodigy; his poetry was first published when he was 15. Bored with
small-town life and driven by a thirst for adventure, Rimbaud ran away from
home in 1870 and lived as a vagabond.0
In 1871, 16-year-old Rimbaud sent a selection of his poems (including his
most famous work, "The Drunken Boat") to Verlaine, who was so
impressed he paid the young man’s way to Paris. There the two embarked on
a stormy relationship that scandalized the bourgeois literati. Rimbaud was
crude and arrogant. Verlaine frequently abandoned his wife to spend time
with Rimbaud. He was fond of absinthe and was often drunk. When inebriated
he was abusive toward Mathilde, but when sober he regretted his behavior and
insisted he loved her.
Verlaine and Rimbaud traveled around France, Belgium, and England,
settling for a time in London. In 1873, tired of Rimbaud’s insults and
bouts of meanness, Verlaine abandoned him in London and fled to Brussels.
Penniless, Rimbaud begged Verlaine to take him back in a series of letters.
"Do you think that your life will be happier with other people than it
was with me?" he wrote. "It is only with me that you can be
free."
Together again in Brussels in the summer of that year, Verlaine shot
Rimbaud in the wrist following a drunken argument. During his trial for the
shooting, Verlaine was examined by court physicians who pronounced that he
"bears on his person the signs of active and passive pederastic
habits." Verlaine spent two years in prison, where he reclaimed the
Catholic faith of his youth. In prison he wrote Songs without Words about
his relationship with Rimbaud. "Here are fruits, flowers, leave, and
branches," he wrote. "And here is my heart, which beats only for
you." The two men met again in Germany after Verlaine’s release in
1875, but never rekindled their relationship.
Verlaine, by now divorced, embarked on a life marked by periods of
drunkenness and debauchery alternating with remorse and repentance. He
taught French and English for a time and made unsuccessful attempts at
farming. He became involved with a student, Lucien Létinois, with whom he
lived and traveled. Suffering from many ailments, Verlaine spent an
increasing amount of time in the hospital in his later years, dying in Paris
in January 1896.
After parting ways with Verlaine, Rimbaud returned to his family’s farm
and finished writing A Season in Hell, based on his time in Paris. But by
the time he was 20, Rimbaud had stopped writing. Still seeking new
experiences, he joined the Dutch army in 1876, but deserted in Indonesia.
For 10 years, until 1890, Rimbaud lived in Abyssinia (now Ethiopia) and Aden
(now part of Yemen), working as a trader and gunrunner. He developed cancer
of the knee that required amputation of his right leg and died in Marseille
in November 1891.
As originators of the Symbolist school of poetry, which focused on the
imagery rather than the concrete meaning of words, Verlaine and Rimbaud
greatly influenced modern literature. Although commonly thought to be the
less talented of the two, Verlaine had become a celebrated poet by the time
of his death, and thousands joined his funeral procession. Rimbaud—who
André Breton called the "God of Adolescence" —was not famous
during his lifetime, but later came to be regarded as a godfather of Beat
poets and punk rockers, inspiring artists such as Henry Miller, Bob Dylan,
Jim Morrison, and Patti Smith.
Liz Highleyman, a freelance journalist and editor, can be reached care of
this publication or at
POcolumn@aol.com.
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