What were some milestones for queers on television? (Part 2)
Despite growing pressure from conservatives following
the proliferation of GLBT characters in the mid-1970s, the 1980s and 1990s
witnessed no shortage of queer television milestones.
In 1981, ABC’s popular Dynasty introduced Steven
Carrington, the first openly bisexual regular character in a dramatic
series. The network’s daytime soap opera All My Children featured its
first gay storyline in 1983, when erstwhile heterosexual Devon McFadden
declared her love for her lesbian psychiatrist. Five years later, ABC
presented the first recurring out lesbian character in prime time—nurse
Marilyn McGrath on the short-lived medical drama Heartbeat.
During these decades, television increasingly addressed
issues of concern to the GLBT community. The 1985 made-for-TV movie An
Early Frost offered one of the first portrayals of people with AIDS. MTV’s
The Real World also dealt with AIDS, featuring HIV-positive Pedro Zamora
during its 1994 season. That same year saw the first televised gay male
wedding, on the CBS series Northern Exposure, set in a small Alaska town
founded by a lesbian couple. The first same-sex wedding between two women—with
activist Candace Gingrich serving as the minister—came on Friends in
1996. NBC’s TV movie Serving in Silence (1995) related the story of Lt.
Margarethe Cammermeyer, who was ousted from the military after
acknowledging that she was a lesbian. But not until 2006 did The L Word
introduce Moira/Max, the first female-to-male character to transition on
the small screen, followed later that year by Zarf/Zoe’s male-to-female
transition on All My Children.
In a bid for increased visibility, GLBT people
continued to appear on television talk shows, even as such programs
shifted from the measured affairs hosted by David Susskind and Phil
Donahue to shows in which hosts and audience members blatantly attacked
the guests. The controversy over "trash TV" came to a head in
March 1995, when Jonathan Schmitz killed Scott Amedure after Amedure
revealed his crush on Schmitz on The Jenny Jones Show.
Over the years, expressions of same-sex affection
between women were more accepted than those between men. In November 1989,
the sitcom thirtysomething lost more than $1 million in ad revenue when it
showed two men in bed together, even though a preceding kiss was axed. In
February 1991, C.J. Lamb and Abby Perkins, two attorneys on NBC’s L.A.
Law, shared the first lesbian kiss on network TV. In 1994, over the
objections of network executives, Roseanne kissed a lesbian character
played by Mariel Hemingway, and the following year on Star Trek: Deep
Space Nine, the character Jadzia Dax kissed a woman who was the
re-embodiment of her dead husband. A January 1997 episode of Relativity
showed a passionate, close-up lesbian lip-lock, and two years later, TV
lawyer Ally McBeal shared a prolonged smooch with a female office rival.
Fox’s Melrose Place deleted a planned prime-time gay male kiss due to
boycott threats in 1994, leaving Jack and Ethan on WB Network’s Dawson’s
Creek to break that barrier in 2000.
The late 1990s saw the first shows with prominent GLBT
lead characters. On April 30, 1997—after months of innuendo—Ellen
DeGeneres had the most famous small-screen coming-out, in a star-studded
episode of her ABC sitcom Ellen that attracted some 35 million viewers.
But not long thereafter, her same-sex kiss on the show prompted a parental
advisory warning, and the program’s ratings dropped as it began to focus
more on gay issues. NBC’s Will and Grace also broke new ground, though
some viewers were disappointed that the gay male lead never had an ongoing
romantic relationship.
The turn of the century witnessed the most visible
queer personality on reality TV since Lance Loud, when self-proclaimed
"fat naked fag" Richard Hatch—who later served time for
evading taxes on his prize money—won the first season of Survivor in
2000.
Reichen Lehmkuhl and Chip Arndt, the couple who
triumphed in the fourth season of CBS’s The Amazing Race (2003), proved
to be more likable gay role models. That year also saw the debut of Bravo’s
popular Queer Eye for the Straight Guy, featuring five gay men giving
fashion and lifestyle advice to style-challenged heterosexuals.
Cable television offered the most daring series
featuring primarily queer casts, beginning with Showtime’s Queer as Folk
in 2000 and The L Word in 2004. In a reflection of growing GLBT economic
clout, Canada’s PrideVision (later renamed OutTV) became the world’s
first channel offering full-time programming for a queer audience in 1991.
The U.S. cable channels Here! TV, Q Television Network,
and MTV/Viacom’s Logo followed suit, producing original programs such as
Noah’s Arc—described by The Economist as a takeoff on Sex and the City
from an African-American gay male perspective—and the supernatural gay
drama Dante’s Cove.
The increased presence of GLBT people on TV over the
past half century reflects the growing influence of both out queers in the
entertainment industry and straight producers who grew up in an era of
greater acceptance of sexual diversity. Nonetheless, the Gay and Lesbian
Alliance Against Defamation found that during the 2006-2007 broadcast
network television season, only 1.3 percent of regular characters on
scripted, prime-time programs were gay or lesbian, and none were bisexual
or transgender.
Liz Highleyman is a freelance writer and editor who
has written widely on health, sexuality, and politics. She can be reached
at PastOut@qsyndicate.com.
For further information:
• Alwood, Edward. 1996. Straight News: Gays,
Lesbians, and the News Media (Columbia University Press).
• Eisenbach, David. 2006. Gay Power: An American
Revolution (Carroll & Graf).
• Raymond, Susan, and Alan Raymond. 2002. Lance Loud!
A Death in an American Family (PBS documentary).