How did Fire Island become so gay?
Fire Island—along with other resort areas such as Cape Cod’s
Provincetown, Miami’s South Beach, the Russian River north of San
Francisco, and Rehoboth Beach in Delaware—offers queer visitors a
welcome retreat from mainstream life, and has come to occupy a prominent
place in gay culture.
Fire Island is a 30-mile-long barrier beach off the southern coast of
New York’s Long Island. Among the island’s 17 towns, or hamlets, two—Cherry
Grove and Fire Island Pines—are predominantly gay.
Cherry Grove—reputedly once a pirate’s haven—was established by
Long Island businessman Archie Perkinson, who purchased land and opened a
hotel in the late 1800s. One of his earliest famous gay guests was Oscar
Wilde, in 1882, who said the Grove was one of most beautiful resorts he
had ever visited. By the 1920s, the town had become a bohemian enclave,
drawing denizens of Greenwich Village and the Broadway theater crowd
during the summer months.
Outside the easy reach of law enforcement, the Grove developed a
reputation for its free-flowing alcohol during the Prohibition era, and it
became known as a playground for the rich and famous.
Cherry Grove became increasingly popular among gays and lesbians in the
1930s, as its remote location—accessible only by boat—offered them a
place to socialize freely beyond the disapproving gaze of mainstream
society. Anthropology professor Esther Newton has dubbed the hamlet
"America’s first gay and lesbian town." Its many GLBT
celebrity visitors included authors Christopher Isherwood and W.H. Auden
(who once were carried into a party dressed as Dionysus and Ganymede
seated upon a gilded litter); composer Benjamin Britten and his partner,
Peter Pears; actress Greta Garbo; journalist Janet Flanner; and writers
Truman Capote, Patricia Highsmith, and Tennessee Williams. The early 1940s
saw the founding of the Arts Project of Cherry Grove, which mounted
theatrical productions featuring the talents of the town’s summer
residents; drag shows, too, became an enduringly popular form of
entertainment.
Fire Island Pines—a larger hamlet separated from Cherry Grove by a
cruisy patch of dunes and trees known as the Meat Rack or the Judy Garland
Memorial Forest—was developed after World War II. While the Grove
maintained its diverse, bohemian atmosphere, the Pines became a haven for
affluent young "A-List" gay men. A rivalry—sometimes
good-natured, sometimes less so—grew up between the two towns, giving
rise to the annual July 4th "Invasion of the Pines," in which
drag queens from the Grove descend upon the Pines in a fleet of small
boats.
Cherry Grove and Fire Island Pines remained queer sanctuaries during
the repressive McCarthy years. By the 1960s and ‘70s, Fire Island’s
gay reputation was cemented nationwide —in part due to jokes by
television talk-show host Johnny Carson. The resort garnered further
attention in 1966, when gay avant-garde poet Frank O’Hara died after he
was hit by a dune buggy on the beach. During the post-Stonewall gay
liberation era, the Grove, and even more so the Pines, became famous for
their wild parties, all-night disco dancing, abundant sex, and widespread
drug use. The Village People wrote a song entitled "Fire
Island," which memorialized local venues including the Ice Palace,
the Blue Whale, and the Sandpiper, and warned listeners not to go into the
bushes.
The ensuing AIDS epidemic devastated Fire Island’s gay communities.
"In the 1970s, the Pines was the epicenter of gay life, a crucible
for new ways of thinking about everything from sexuality to flower
arranging," wrote journalist Steve Weinstein. "In the 1980s, the
community became an epicenter of a wholly different sort, as AIDS hit the
Pines earlier and harder than anywhere else in the United States."
Many longtime visitors died during the decade that followed, and social
life began to revolve around fundraisers such as Gay Men’s Health Crisis’
annual Morning Party. Fire Island’s glory days and the desolation that
followed have been commemorated in gay men’s literature ranging from
Andrew Holleran’s Dancer from the Dance (1978) to Larry Kramer’s
Faggots (1978) to Felice Picano’s A House on the Ocean, a House on the
Bay (1997).
GLBT people continue to be attracted to Fire Island’s combination of
natural beauty, laid-back lifestyle, and lively nightlife, but Cherry
Grove and Fire Island Pines have changed with the gay community,
reflecting its new maturity and family orientation—or, as some might
say, its assimilationism. While the Pines’ residents remain
predominantly gay men, the Grove’s denizens now include queers of all
ages, lesbian couples with children, and a growing number of people of
color—although the island’s escalating housing prices have put it out
of reach for many. While the hamlets once provided a safe haven in a
hostile world, GLBT people now have many more places they can be
comfortably out as queer. Today, says journalist Jeffrey Escoffier, people
flock to Fire Island "not, as earlier generations did, to experience
a safe haven from homophobia," but rather "to enjoy a social
environment that reflects the history of past struggles and that continues
to offer the pleasure of living in towns where homosexuality is the
norm."