Missing Mom (2006)
by Joyce Carol Oates
Hindsight is the cruelest kind of clarity. The cringe
of realization that comes with figuring out the
answer, the right way, the preventative move, much too late can bring heat
to my cheeks with just a flicker of the recollection. I often have to
remind myself to be kind to the memory of the younger me, just as I
discipline the adolescent behavior of my students one day, but forgive
them for it the next.
Nichole "Nikki" Eaton is just feeling this
cringe for the first time. At thirty, she has many roles to play in her
suburban family. She’s the "cool" aunt to her sister’s son
and daughter, a features reporter for a news magazine in a neighboring
town, and the still-rebellious daughter. Oates’s newest novel, Missing
Mom, begins on Mother’s Day, 2004. Nikki strolls into her childhood home
in time for Mother’s Day dinner, prepared by her mother for an eclectic
guest list. Immediately, Nikki is on edge, correctly anticipating a
negative reaction to her latest purple punk-styled hairstyle from almost
everyone present, short of her teenage niece. In typical mom fashion, Mrs.
Eaton cheerfully fumbles a "Well! It will always grow back,
Nikki!" Clare, Nikki’s older, more responsible sister, doesn’t
even have to speak, but her husband, as usual, seems to appreciate Nikki’s
sexy new look.
The dinner is made even more awkward by the collection
of misfits gathered at the table. These are not close family friends, but
what seems to be feeble attempts at filling the emptiness of the role
previously occupied by Nikki’s father, a role vacated following his
death a few years before. Self-absorbed as usual, Nikki resents what she
perceives as yet another attempt of her mother’s to set her up with
someone, anyone besides the married man she has been dating.
Cringe.
In the days following the dinner, Nikki and her sister
are busy, leaving hurried, harried messages on their mother’s phone,
promising to stop by soon. When they finally talk to each other, it
becomes evident that no one has actually spoken to Mrs. Eaton. What
follows plays out in that painfully, powerlessly predictable way that only
a master writer can concoct. Mrs. Eaton, of course, is dead. That’s been
evident from the beginning, but the details and the effect on her
daughters are mesmerizing.
Oates has the ability to penetrate the most difficult,
unlikable characters and make them human and deserving of empathy in a
manner that evokes the most complicated familial ties. Nikki embarrasses
me. She reminds me of the selfish acts that dragged out my youth well past
age eighteen. I can only hope that others remember me with the patience
Oates seems to have for her character’s mistakes.
It is Oates’s patience that fills the year following
"Feather" Eaton’s death. Readers watch as Nikki and Clare
handle the situation very differently, yet rely on each other for support.
Their stages of grief are well-documented by Oates, the never-judgmental
observer.
For someone my age without children, it is easy to
identify with Nikki. Other readers might appreciate Clare’s transition.
While Nikki is the focus of the book, the older sister goes through marked
changes as well, including her roles within her marriage. It is
interesting to note how both Nikki and Clare subconsciously alter their
appearances to reflect their growth through mourning. As Nikki’s purple
spikes grow out, the gray filters in along with a newly-cultivated
maturity. This development is earned via a fresh series of mistakes
(including a continued romance with the married man); the difference is
that Nikki can’t escape her mother’s eye, now embedded in her mind.
Further changes, more cringes. Nikki moves back into
her childhood home, ostensibly to clear out her mother’s belongings so
the house can be put on the market, but she finds it difficult to leave.
Her mother’s cat needs care, and Nikki steps in, filling this role and
others left open by her mother. Oates cultivates images of exhaustion;
Nikki’s high-maintenance life fades as she finds it easier to relish
simpler relationships with work, romance, and family.
Oates’s Missing Mom is heart-wrenching and haunting,
a fragile look at the inner workings of the human mind reeling from
tragedy and the pitfalls of established family roles.
Rebecca James divides her time between teaching in
Allentown, Pennsylvania and relaxing in Rehoboth Beach, Delaware. She may
be reached at jamesr@allentownsd.org.